2020 . 07. 11 sat ー 2020 .11 . 23 mon
京都府致力於通過多種方式創造契機，讓鑑賞者接觸地方文化，力圖達到促進觀光，活躍地方經濟的目的。其一為結合了先進技術與地域文化（歷史，風土，自然）的數位藝術項目《光之工坊》，以物質文化遺產，名勝，景觀及大自然為題材，打造可體驗數位藝術世界的舞台。 2020年，在有日本三景之一之稱的天橋立地區，以《現實與幻想之間》為主題，通過光效，影像，音聲等藝術方式，創作表現出了一個幻想般的世界。
Light and Sound
07.11.Sat – 09.30 Wed, 19:00 – 22:30
天橋立被稱為日本三景之一。當地的沙咀地形，自古刺激著人們的浪漫主義情懷，也誕生出了無數具有傳說色彩的神秘故事。以聲音環境所環繞的質感，靜謐為主軸進行創作活動的原摩利彥（Marihiko Hara），以及通過光影來進行環境設計的照明設計師長町志穗（Shiho Nagamachi），二位藝術家以天橋立的沙洲為舞台，通過聲音與光影的演出創造出了一個幻想世界。
Musician Marihiko Hara
Graduated from the Department of Education, Kyoto University. His main interest is to compose serene silence in music and to pursue his own texture of sounds, through electric/acoustic sounds and field recordings. He released the album “Landscape in Portrait” in 2017, mixing melodic piano and electric abstract sounds. He produces music for theatre performances and collaborates with people involved in many fields, such as Ryuichi Sakamoto, “Vessel” by Damien Jalet and Kohei Nawa, Hideki Noda’s plays, Paris Fashion Week and Kabuki Theatre.
Lighting Designer Shiho Nagamachi
Graduated from Kyoto Institute of Technology, visiting professor at Kyoto University of Art and Design, part-time lecturer at Osaka University. She practices a variety of projects such as urban planning night scene design in public space, lighting plan for architecture and landscape, tourism town development with light at the core, public light art, and production of lighting brand. Recent works “Kobe City Meriken Park” “Mizuki Shigeru Road” “Kusatsugawa Park” “Dojima Bridge Light Up” “Nusamaibashi Light Up” “Nagato Town Development” “INAKA Illumi Ohnan” Other
Light and Sound
07.11.Sat – 09.30 Wed, 19:00 – 22:30
天橋立被稱為日本三景之一。當地的沙咀地形，自古刺激著人們的浪漫主義情懷，也誕生出了無數具有傳說色彩的神秘故事。以聲音環境所環繞的質感，靜謐為主軸進行創作活動的原摩利彥（Marihiko Hara），以及通過光影來進行環境設計的照明設計師長町志穗（Shiho Nagamachi），二位藝術家以天橋立的沙洲為舞台，通過聲音與光影的演出創造出了一個幻想世界。
Musician Marihiko Hara
Graduated from the Department of Education, Kyoto University. His main interest is to compose serene silence in music and to pursue his own texture of sounds, through electric/acoustic sounds and field recordings. He released the album “Landscape in Portrait” in 2017, mixing melodic piano and electric abstract sounds. He produces music for theatre performances and collaborates with people involved in many fields, such as Ryuichi Sakamoto, “Vessel” by Damien Jalet and Kohei Nawa, Hideki Noda’s plays, Paris Fashion Week and Kabuki Theatre.
Lighting Designer Shiho Nagamachi
Graduated from Kyoto Institute of Technology, visiting professor at Kyoto University of Art and Design, part-time lecturer at Osaka University. She practices a variety of projects such as urban planning night scene design in public space, lighting plan for architecture and landscape, tourism town development with light at the core, public light art, and production of lighting brand. Recent works “Kobe City Meriken Park” “Mizuki Shigeru Road” “Kusatsugawa Park” “Dojima Bridge Light Up” “Nusamaibashi Light Up” “Nagato Town Development” “INAKA Illumi Ohnan” Other
data-verse 1
10.16 . Fri – 11.3.Tues, 18:30～22:00
展示日本首屈一指的電子音樂作曲家兼視覺藝術家池田亮司（Ryoji Ikeda）的作品《data-verse 1》。
音響視覺作品《data-verse 1》將鑑賞者帶入廣大的數據世界，通過三種方式展現從微觀到人類，進而向宏觀進發的過程。觀賞者通過視覺和聽覺，沉浸於廣大的數據世界和充斥現代人日常生活的數據流向當中。作品組織調和了音響，視覺，素材，物理現象、數學概念等各類要素，試圖超越固有的概念。池田的作品挑戰人類感官與數位技術的邊界，探求“極限”，同時又表現了“無限”的世界。池田並非用語言對自己的作品加以限制，而是交由鑑賞者的想像進行判斷。本作品也能體驗到其作品世界中的一貫作風。
Artist Ryoji Ikeda
born in 1966 in Gifu, Japan. lives and works in Paris, France and Kyoto, Japan.
Japan’s leading electronic composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and mathematical aesthetics. Ikeda has gained a reputation as one of the few international artists working convincingly across both visual and sonic media.Alongside of pure musical activity, Ikeda has been working on long-term projects through live performances, installations, books and CDs. Ryoji Ikeda is represented by Almine Rech Gallery (Bruxelles, Paris, London , New York), and Taro Nasu Gallery (Tokyo)
concept, composition: Ryoji Ikeda
computer graphics, programming: Norimichi Hirakawa, Tomonaga Tokuyama, Satoshi Hama, Ryo Shiraki
commissioned by Audemars Piguet Contemporary
with special thanks to The Vinyl Factory
data-verse 1
10.16 . Fri – 11.3.Tues, 18:30～22:00
展示日本首屈一指的電子音樂作曲家兼視覺藝術家池田亮司（Ryoji Ikeda）的作品《data-verse 1》。
音響視覺作品《data-verse 1》將鑑賞者帶入廣大的數據世界，通過三種方式展現從微觀到人類，進而向宏觀進發的過程。觀賞者通過視覺和聽覺，沉浸於廣大的數據世界和充斥現代人日常生活的數據流向當中。作品組織調和了音響，視覺，素材，物理現象、數學概念等各類要素，試圖超越固有的概念。池田的作品挑戰人類感官與數位技術的邊界，探求“極限”，同時又表現了“無限”的世界。池田並非用語言對自己的作品加以限制，而是交由鑑賞者的想像進行判斷。本作品也能體驗到其作品世界中的一貫作風。
Artist Ryoji Ikeda
born in 1966 in Gifu, Japan. lives and works in Paris, France and Kyoto, Japan.
Japan’s leading electronic composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and mathematical aesthetics. Ikeda has gained a reputation as one of the few international artists working convincingly across both visual and sonic media.Alongside of pure musical activity, Ikeda has been working on long-term projects through live performances, installations, books and CDs. Ryoji Ikeda is represented by Almine Rech Gallery (Bruxelles, Paris, London , New York), and Taro Nasu Gallery (Tokyo)
concept, composition: Ryoji Ikeda
computer graphics, programming: Norimichi Hirakawa, Tomonaga Tokuyama, Satoshi Hama, Ryo Shiraki
commissioned by Audemars Piguet Contemporary
with special thanks to The Vinyl Factory
Double Horizon
10.16.Fri – 11. 23.Tues, 18:00～21:00
通過《Double Horizon》這一作品，互動式藝術監督齋藤達也（Tatsuya Saito），試圖表現天橋立這一場所本來所具有的意義。
天空在日語中稱之為“Ama”，而其下延伸擴展出的海洋也讀作“Ama”。為什麼天空與海洋要用同樣的讀音“Ama”來表達？天橋立如同彼岸的水平線，面向兩個世界的邊界。齋藤在天橋立的聖地——元伊勢籠神社神道所展示的裝置藝術作品，表現了這介於兩個世界的邊界，也表現了天橋立的由來。鑑賞者可以沉浸於投影與造霧裝置所表現的立體空間中，感受流雲一般的海面。
Interactive Art Director, Media Artist Tatsuya Saito
After graduating from UCLA Department of Arts and receiving his Master’s degree from Tokyo University of the Arts, Tatsuya established his design studio Abacus. Based on his observations about the human senses & cognitive functions and media technology, he has been active in various fields such as advertising, production, television, literature and show. He has been awarded an award at the Japan Media Arts Festival, NY ADC Award, D&AD, Good Design Award, one show Gold Award, AD STARS Gold Award, ADFEST Gold Award, L’Oreal Art and Science of Color Prize Bronze Award, and Grand Prix and Award for Scientific Technology at Laval Virtual in France. Tatsuya’s works have been exhibited internationally at locations such as the ARS ELECTRONICA CENTER (Australia), 21_21 DESIGN SIGHT, NTT InterCommunication Center, and Ginza Graphic Gallery (ggg).
Engineering : Yuki Anezaki, Kye Shimizu (N sketch)
Motion Graphic : Marie Nagasue
Double Horizon
10.16.Fri – 11. 23.Tues, 18:00～21:00
通過《Double Horizon》這一作品，互動式藝術監督齋藤達也（Tatsuya Saito），試圖表現天橋立這一場所本來所具有的意義。
天空在日語中稱之為“Ama”，而其下延伸擴展出的海洋也讀作“Ama”。為什麼天空與海洋要用同樣的讀音“Ama”來表達？天橋立如同彼岸的水平線，面向兩個世界的邊界。齋藤在天橋立的聖地——元伊勢籠神社神道所展示的裝置藝術作品，表現了這介於兩個世界的邊界，也表現了天橋立的由來。鑑賞者可以沉浸於投影與造霧裝置所表現的立體空間中，感受流雲一般的海面。
Interactive Art Director, Media Artist Tatsuya Saito
After graduating from UCLA Department of Arts and receiving his Master’s degree from Tokyo University of the Arts, Tatsuya established his design studio Abacus. Based on his observations about the human senses & cognitive functions and media technology, he has been active in various fields such as advertising, production, television, literature and show. He has been awarded an award at the Japan Media Arts Festival, NY ADC Award, D&AD, Good Design Award, one show Gold Award, AD STARS Gold Award, ADFEST Gold Award, L’Oreal Art and Science of Color Prize Bronze Award, and Grand Prix and Award for Scientific Technology at Laval Virtual in France. Tatsuya’s works have been exhibited internationally at locations such as the ARS ELECTRONICA CENTER (Australia), 21_21 DESIGN SIGHT, NTT InterCommunication Center, and Ginza Graphic Gallery (ggg).
Engineering : Yuki Anezaki, Kye Shimizu (N sketch)
Motion Graphic : Marie Nagasue
JIKU #009 TANGO_KOKUBUNJI
11.20.Fri – 11.23. Mon, Sunset - 21:00
齋藤精一（Seiichi SAITO）是Rhizomatiks Architecture的創意監督。其作品系列《JIKU》在本項目中進行了特別展出。 《JIKU》系列作品為尋找場所中所隱藏的軸（JIKU）的裝置，是通過光線和聲音來表現軸線的場域特定藝術作品。本次的《＃009》的舞台為丹後國分寺古蹟，在雪舟的作品——國寶《天橋立圖》中也可以得見。齋藤以雪舟腦中的“視點”為軸，通過光線和聲音進行表現。
～關於國寶《天橋立圖》～
實際上並不存在能夠一覽天橋立區域全景的地方。因此推測雪舟是通過觀察多個場所，並在腦海中將各個場所串聯，進行創作。國寶《天橋立圖》在時隔40年後，於2020年回歸了原本所在的京都府立丹後鄉土資料館。
JIKU #009 TANGO_KOKUBUNJI
11.20.Fri – 11.23. Mon, Sunset - 21:00
齋藤精一（Seiichi SAITO）是Rhizomatiks Architecture的創意監督。其作品系列《JIKU》在本項目中進行了特別展出。 《JIKU》系列作品為尋找場所中所隱藏的軸（JIKU）的裝置，是通過光線和聲音來表現軸線的場域特定藝術作品。本次的《＃009》的舞台為丹後國分寺古蹟，在雪舟的作品——國寶《天橋立圖》中也可以得見。齋藤以雪舟腦中的“視點”為軸，通過光線和聲音進行表現。
～關於國寶《天橋立圖》～
實際上並不存在能夠一覽天橋立區域全景的地方。因此推測雪舟是通過觀察多個場所，並在腦海中將各個場所串聯，進行創作。國寶《天橋立圖》在時隔40年後，於2020年回歸了原本所在的京都府立丹後鄉土資料館。
Creative Director / Technical Director Seiichi Saito Rhizomatiks Architecture
Born in Kanagawa in 1975, Mr. Saito began his career in New York in 2000 after graduating from Columbia University with a Master of Science degree in Advanced Architectural Design (MSAAD). He produces works in the commercial art field which are three-dimensional and interactive while also being based on the firm grounding in logical thought that he cultivated through architecture. He currently serves as Director of Rhizomatiks Co., Ltd., while alsoGood Design Award 2015-2017 Jury. Vice Chairman of Good Design Award 2018. Creative Adviser of 2020 Dubai Expo Japan pavilion.
Creative Director : Seiichi Saito
Project Manager : Nozomi Yamaguchi
Lighting Programmer : Tatsuya Motoki
Space Design : Takahito Hosono
Music：Tetsushi Fujita
Music Producer：Motohiro Fujii（Backslash）
Assistant Music Producer：Setsu Tanaka（Backslash）
Equipment Cooperation : Audio-Technica Corporation
